When you're caught in a bind -- or at the end of your rope -- this skill
could come in handy.
MAKING NATURAL CORDAGE
Tom Brown Jr. and Brandt Morgan
Tom Brown, Jr. -- whose "At Home in the Wilderness" articles ran in MOTHER NOS.
71-77 -- isn't a stranger to most of our readers. And although, Tom concluded
his series two issues back, we couldn’t resist the opportunity to add to that
body of woodlore by running this article … which should be as valuable to folks
involved in the various forms of string art as it certainly will be to those
concerned with learning the skills necessary to get along in the wilds.
Cordage -- that is, thread, string, or rope – is all but indispensable in a
survival situation. It can be used for (among other things) bowstrings, fishing
lines, trap triggers, snares, and lashings. Most people would likely despair if
forced to make their own rope or string. However, the materials needed to do so
are plentiful in most places (you'll find a list of possible options
accompanying this article), and the techniques required are actually quite
simple to master.
[1]
One of the good source of natural cordage is the bark
from dead trees. Just strip off long sections of the
fibrous cambium layer between the wood and the outer
bark, and wrap them together. [2] In order to break down
this material a little more, damper your skin and roll
the fibers between your palms or against your leg. [3]
You can make a simple wrap by twisting the fibers into a
strand. Then — to secure the twist — take the middle in
your teeth and bring the two end together. When you let
go, the strand will twist around itself naturally. [4]
For a reverse wrap, twist the fiber bundle in the middle
until it kinks. [5] Now, bring the bottom strand toward
you. . . [6] and wrap it once around the second strand.
[7] Then do the same with the second strand, wrapping it
around the first, and keep repeating this procedure. [8]
When knotted on the end to keep it from unraveling, the
result will be strong cordage that you can use like
machine-made rope or twine. (Photos
by Tom Brown) |
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SOURCES
Just about any strong, flexibie fiber can be used to produce good cordage. The
dried inner bark of most trees, for example, will supply you with workable raw
material. It's best to look for trees with dead bark, and strip off long
sections of the fibrous cambium layer between the wood and the outer bark. If
you're in a true survival situation, you can even strip sections of the inner
bark from living trees (it'll be easiest to do in the spring, when the sap is
running) and dry them. Be sure, though, to take only a few thin strips from any
one trunk (don't cut all the way around it … doing so can kill the tree). Should
you have trouble separating the inner from the outer bark, just soak the strips
in warm or boiling water until the fibers come apart easily.
The dried inner skin of the stalks of fibrous plants will also serve your
purpose, as will fibrous leaves and even dried grasses (again, see the
accompanying list). When working with pithy plants, such as dogbane and
milkweed, you may be able to strip the material you need from the stalk in long
ribbons. If the plant is dry, though, you'd be better advised to crush and open
up the stalk … then break off short sections of the woody core, leaving a long
ribbon of fibers in your hand, If you come across a supply of non-pithy plants,
such as nettles and rushes, the best way to remove the fibers is by placing a
dried stalk on a piece of wood and pounding it with a rounded rock. (Don't use a
sharp instrument, as it could cut the fibers.) The material from annual plants
will, of course, be shorter than that gathered from trees, but by splicing the
fibers together, you can still make cordage of almost any length or thickness.
Animal sinew can be used to produce exceptionally strong rope or twine. In fact,
a strand of it no thicker than carpet thread can hold the weight of an average
man. Because of its strength, sinew is especially good for making bowstrings,
fishing lines, snares, wrappings, and threads. Another useful property of sinew
is that, when wetted with saliva before wrapping, it shrinks and dries as hard
as glue. As a result, knotting the ends of a sinew wrapping is sometimes
unnecessary. (Rawhide is very strong, too, and also shrinks as it dries.)
The longest sinew is found in the white cords that run along either side of an
animal's backbone, but you can get, usable lengths from the tendons and
ligaments attached to muscles and bones, as well. Simply cut out the sinew …
remove its protective sheath … and clean and dry it. (When dry, it'll be very
hard and brittle.) To separate the individual fibers, pound each strand with a
rock, as you would for plant stalks … then put it in hot water.
SOURCES OF CORDAGE
MATERIALS
As noted, the inner bark of most
trees and parts of many different plants and animals can
be used in emergency situations to make thread, twine,
or rope. The following, however, are some of the top
choices: |
TREES |
STALKS |
basswood |
genus Tilia |
stinging nettle |
genus Urtica |
elm |
genus Ulmus |
velvet leaf |
Abutilon Theophrasti
Medic |
walnut |
genus Juglans |
dogbane |
genus
Apocynum |
cherry |
genus Prunus |
milkweed |
genus
Asclepias |
cedar |
genus Cedrus |
fireweed |
Epilobium
angustifolium |
aspen |
genus Populus |
hemp |
genus Cannabis
|
maple |
genus Acer |
evening primrose |
genus
Oenothera |
cottonwood |
Populus deltoides
|
hickory |
genus Carya |
LEAVES |
oak |
genus Quercus |
yucca |
genus Yucca |
ash |
genus Fraxinus |
cattail |
genus Typha |
|
bulrush |
genus Scirpus |
ROOTLETS |
|
cedar |
genus Cedrus |
MISCELLANEOUS |
pine |
genus Pinus |
sweet grass |
Glyceria
septentrionalis |
juniper |
genus Juniperus |
greenbrier |
genus Smilax |
tamarack |
Larix laricina |
cordgrass |
genus
Spartina |
yucca |
genus Yucca |
hair (moose, horse,
etc.) |
spruce |
genus Picea |
sinew |
sage |
genus Salvia |
rawhide |
WRAPPING FOR STRENGTH
Once you have a
supply of raw material, you'll have to decide how thick and long
your finished cordage will have to be. If all you need is a piece of
wilderness dental floss or a trap trigger, you might get by with
only a few fibers. In most cases, though, you'll want something
stronger . . . and strength is primarily the result of wrapping
fibers together. This will likely require that you break down the
original material a little more than you have to this point.
If
you're working with a ribbon of bark or leaf material, roll it
between your palms (for better friction, dampen your skin) or
against the leg of your pants to separate the fibers. Work along the
entire length of the strip until you've gotten rid of any nonfibrous
matter and have a long, thin bundle of "threads".
THE SIMPLE WRAP
To
do a fast wrapping job (which will serve in many situations where
strength isn't of primary concern), hold onto the ends of the fibers
and roll the whole bundle against your pants leg in one direction.
By making repeated strokes along the entire length, you should be
able to twist the fibers into a strand of makeshift cordage that's
many times the strength of the original strands of material. Then,
to secure the twist, take the middle of the strand in your teeth
(make sure, of course, that it's from a nonpoisonous plant!) and
bring the two ends together. When you let go with your teeth, the
doubled cord will twist around itself naturally.
THE REVERSE WRAP
For
a much tighter and stronger wrap, start by twisting the fiber bundle
in the middle until it kinks . . . then hold the kink between the
thumb and index finger of one hand. With the fingers of the second
hand, twist the bottom strand toward you and wrap it once around the
other. Now, hold this wrap with the first hand . . . twist
the new bottom strand toward you and wrap it around the
other . . . and continue the process along the entire length of your
cord. If you need only a short section, tie a knot at the end of the
double-wrapped piece and use it as is.
HOW TO SPLICE
In
order to make a long rope or string, you can simply splice
together as many shorter pieces as necessary in the following way:
First, twist and kink the bundle so that one end is twice as long as
the other. (This will eliminate the chance of producing parallel
splices that would seriously weaken the cordage.) Then, using the
reverse technique, wrap to within an inch or two of the short end.
Next, separate the fibers of the short end with your fingers (so
they spread out like a broom). Now, attach a second bundle of equal
thickness by spreading and fitting its fiber ends into
those of the first bundle. (To keep a uniform thickness in the cord,
cut out half of the fibers in each bunch before pushing them
together.)
Continue twisting and wrapping as before, taking care not to pull
the strands apart. When you come to the end of the original long
strand, add a third piece . . . and so on. (Do make sure that
you never have two splices in the same place . . . a splice must
always be wrapped with a solid strand.)
DOUBLE STRENGTH
When
a situation demands an especially strong length of cordage, you
might logically think that all you need to do is begin with bigger
fiber bundles. This isn't always the case, however. Strength is
produced just as much by twisting and wrapping as it is by
thickness. You can, of course, simply twist and double a strand
you've already wrapped. The Plains Indians often made bowstrings by
splicing sinew strands to about four times the necessary length,
then twisting and doubling them twice.
For
cordage of even greater strength and thickness, however, take a pair
of reverse-wrapped strands and join them with another
series of reverse wraps. Through the use of repeated splicing and
doubling, you can make rope of almost any length and thickness you
might need. In fact, it's often hard to believe that a finished
length of cordage was made from frail material that once broke
easily in your hands.
FINISHING TECHNIQUES
After all the wrapping and splicing is done, there will probably be
a lot of unsightly fibers sticking out along your length of cordage.
To get rid of these (if you feel the need), run the piece quickly
through a flame, and they'll burn off without damaging the main
fibers.
Then, to keep the ends from fraying, either weave them back into the
twisted cord ... secure them with simple overhand knots . . . lash
them to the tool or material you're working with . . . or "whip" the
ends by wrapping and tying them off with thinner cordage.
MORE THAN A ROPE
Finally, don't wait until you're stuck in a wilderness situation to
practice these techniques. You'll find that learning to shape
natural materials into usable items isn't merely survival insurance
. . . it's really a way of reclaiming a bit of our lost heritage.
Such skills connect us with the countless generations of humans who
have lived before, and they help to remind us that — beneath the
trappings of civilization — we, too, are creatures of this earth.
For more material by and about Tom Brown Jr. and the Tracker School
visit the Tracker Trail
website.
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